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How I Spent My Summer Vacation

Having just returned from a long, lovely vacation trip overseas, I can’t resist sharing some thoughts, observations and pictures with you. If you recoil at the idea of friends boring you with their home movies, I promise to keep this as brief as possible…and yes, there are some movie tie-ins along the way.

George Clooney's Leatherheads
plays on the giant screen at sea.

I was invited to be a guest lecturer on Princess Cruise Lines’ Grand Princess for a twelve-day trip around the British Isles, and being of sound mind, I accepted. Landing at Heathrow Airport in London my family and I were immediately reminded of that old joke about England and the U.S. being divided by a common language. At Heathrow, signs lead you to “Baggage Reclaim,” which I suppose is more precise than “Baggage Claim” as we say here in the States. (Later on, watching the Olympics coverage on TV, I heard a commentator say, “England have not performed well” in a certain sport, where we would say “the U.S. has not performed well.” As a lover of language I find this endlessly fascinating.)

During the cruise, I delivered a lecture and hosted a movie trivia contest, which my daughter Jessie helped me put together. I also was asked to introduce one of Princess' “Movies Under The Stars.” These screenings have proved to be extremely popular on the cruise line, especially in warmer climates, but even on this voyage people happily wrapped themselves in blankets on the upper deck, popcorn in hand, to watch movies on a gigantic video screen every night. The effect is something like attending a drive-in movie, without the bother of being confined to a car, or swatting off mosquitoes. What a neat idea.

Olivia de Havilland looks as serene as a monarch aboard the Grand Princess.

While strolling around the ship one night I noticed a surprising movie connection: when the vessel was launched ten years ago it was officially “named” by a member of Hollywood royalty, rather than British royalty: Olivia de Havilland. A lovely portrait of her appears on the wall alongside the front desk in the atrium. A standee on the desk below describes her career in brief--for younger passengers.

Our first port of call was the island of Guernsey, off the coast of France. We visited the house where Victor Hugo lived for many years while exiled from Napoleonic France. It was here that he wrote Les Miserables, among other works, but the real surprise is the home itself. It turns out that Hugo loved interior design and put great effort, money, imagination and whimsy into this multi-story residence, giving each room an individual theme and style. (Never mind the fellow American tourist who repeatedly asked our guide if Hugo spoke French.)

A century later the island was occupied by the Germans, from 1940-45. We took a fascinating tour of an underground hospital constructed by forced labor over three years’ time. Ironically it only served as a hospital for twelve weeks before the island was liberated, but it was impossible for us to picture anyone regaining their health in such dim, dank surroundings. The biggest surprise of all: a cavernous room labeled CINEMA. I wonder if movies were actually screened there before the Nazis were kicked out.

We found a great used bookstore in Inverness, Scotland called Leakey’s (seen below), which inhabits a former church. I only wish I’d had more time to browse, as there are many British film books and show business biographies that never made their way across the Atlantic.

We were lucky enough to visit Edinburgh on the first day of the annual Fringe Festival, which meant that the streets were packed with musicians and performers of all sorts handing out leaflets to attract attention to their upcoming shows. I recognized one peculiar looking man as a dead ringer for Manuel, the soft-headed waiter from the classic TV series Fawlty Towers. Sure enough, there were look-alikes for John Cleese and Prunella Scales as well, promoting their dinner theater homage to the show. I also noticed a hand bill for a one-woman show about Anna May Wong. It’s impossible to describe the depth and breadth of this festival, but I can tell you that the city is transformed into a giant happening. I wish we could have stayed.

The Greyfriars Bobby
statue in Edinburgh.

Before leaving town, my wife wanted to see the statue honoring Greyfriars Bobby, the loyal dog whose story was told so well in a 1961 Walt Disney movie of the same name. (A 2005 British remake has never opened in this country, to my knowledge. And if you’ve never seen the Disney film with Donald Crisp and Laurence Naismith, you should; it finally came out on DVD a couple of years ago.)

On the outskirts of Glasgow we visited Bannockburn, site of the legendary battle over the fate of Scotland that Mel Gibson vividly recreated in Braveheart. Pictures can’t do justice to this vast open space, with a stately memorial commemorating its historical importance, but the statue of the Scottish king Robert the Bruce (right) is pretty imposing.

Later that day we visited the Glasgow School of Art designed by the brilliant Charles Rennie Mackintosh. Inside the lobby I found an unexpected plaque on the wall honoring one of the school's most illustrious students (and one of my heroes), animator Norman McLaren. Then, heading back to our ship, our cab driver pointed out that the port city of Greenock was the location for one of my favorite films of recent years, Dear Frankie, with Emily Mortimer and Gerard Butler. There are movie links everywhere you turn nowadays.

At the end of a day-long tour in Belfast, Ireland we were shown another astonishing sight: the enormous trench (for want of a better word) where the HMS Titanic sat for eleven months as workmen completed painting and finishing the ship for its maiden voyage in 1912. The company that built the ship is still in business, though greatly reduced in size, and its abandoned headquarters nearby recently served as one location for the forthcoming Tom Hanks movie, City of Ember.

In a part of the world where history is all around you, and buildings can be centuries old, visiting landmarks from the 1960s might seem trivial. Nevertheless, one of the highlights of our trip was the Magical Mystery Tour in Liverpool, England, which enabled us to trace the young lives of all four Beatles. For someone who grew up with the Fab Four this was an especially evocative experience. We actually visited Penny Lane, and even saw the barber shop and the roundabout referred to in the song.

Yes, this is where the Titanic was fitted for its maiden voyage in 1911-1912 in Belfast. Amazing!

At the end of our cruise, we lingered for several days in London, not long enough to do a fraction of the things we wanted to. We did see a new stage musical based on Noel Coward’s Brief Encounter, with a buoyant cast, a clever script, and inventive staging including the use of film projection. I wonder if it will eventually travel to New York, as the not-dissimilar production of The 39 Steps did last year. We also stopped at Sotheran’s, a marvelous antiquarian bookstore that’s been in business since the 18th century!

A last impression of London: I’m amazed by the fact that even in the 21st century, people who sell newspapers on the streets of the U.K. still put out headline billposters to grab customers’ attention with the latest news. It’s not very high-tech, but it works!

I’ve spared you further details of our tourist activities, but couldn’t resist sharing some fresh memories of a great trip. Thank you for your indulgence.

 

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I am pleased to officially announce the publication of the 2009 edition of Leonard Maltin’s Movie Guide, in both mass market paperback and trade sized editions from Penguin. As usual, we’ve not only added 350 new entries since last year, but we’ve made scores of additions, amendments and corrections. I’m lucky to have a great team of collaborators on this massive project, and they all have an eye for detail, which is what a reference book requires.

One of our favorite pastimes is finding early appearances by now-popular actors, and we’ve added credits for Amy Adams, Amy Ryan, Paul Dano, Seth Rogen, and James McAvoy, among others. It’s less fun—but equally important—to make sure our running times are accurate, yet this is an almost hopeless pursuit. A friend with an old 16mm television print of Howard Hawks’ The Dawn Patrol (1930) checked our entry after watching the film and noticed we were wrong. To be absolutely sure of his facts, he ran the print through a synchronizer that counts frames to determine that was 107 minutes. And so it goes. A British documentarian who produced a film about the making of The Wicker Man (1973) discovered that seemingly everyone in the U.S. has perpetuated the misstatement that its original running time was 102 minutes, because that’s what its original American distributor estimated it to be. Subsequent owners never checked, and as a result, Wicker Man fanatics have openly disputed that the current print (running 99 minutes and change) is complete. It is, and now we’ve made that change.

Being able to constantly tweak and update our information gives me great satisfaction, year to year. I hope you find the new edition useful and up to date. If you’d like to order a copy simply click here.

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Believe it or not, the new issue of Leonard Maltin’s Movie Crazy is in the mail. The lead story chronicles the amazing saga of how Rodgers and Hart’s tune-filled Broadway musical On Your Toes took three years to come to the screen via Warner Bros….and when it did audiences were denied virtually all of its original songs! The paper trail I found at the Warner Bros. archives at USC is as compelling as a good novel and I hope that’s reflected in my article.

This issue also features an interview I conducted thirty years ago with the late playwright, author, screenwriter, and wit Marc Connelly. He talks about his sporadic film career and the process of bringing his Pulitzer Prize-winning play The Green Pastures to the screen.

Other goodies include a rare Hopalong Cassidy caricature, a vintage W.C. Fields greeting card and a knockout photo of Laurel and Hardy with Orson Welles. To learn more and subscribe to my quarterly newsletter, click here.

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Harking back to my story about showing an old Republic serial to my 20-something students at USC, Eric van Hamersveld writes, “I teach animation at the Art Institute of California-San Diego, and I have problems with this generation showing up to class on time. When I read your Movie Crazy article about your wife's idea of showing Republic's Zorro's Fighting Legion and its success for you, I thought I'd give it a try. The class that was giving me the most attendance trouble was Storyboarding for Animation. I found a 2 DVD set of the serial on Amazon and I sprang the first chapter on them about halfway through the first four-hour class. They were a bit confused and did think it a bit campy, but I explained that those Saturday morning serials were the prelude to today's Saturday morning cartoons, that the target audience was tweens, with a little of talking-heads to advance the story and a heavy dose of action to keep the interest. I also mentioned that that formula has been pretty good for Lucas with Indiana Jones.

“I told them that I was going to show each episode right at the 8:00am class starting time. If they were late, they would miss the cliffhanger resolution. A few groans leaked out from the group, but IT WORKED!! The entire class was waiting outside the classroom door ten minutes BEFORE the next class so they wouldn't miss anything. And this has continued into Chapter 4.” Another victory for the Good Guys!

 
 
film buff silent movie  films silent film movie buff Hollywood B movies Entertainment Tonight Leonard Maltin movie history movie listing
Leonard Maltin  fan
movie history Learn about the MOVIE CRAZY Newsletter What's good at the movies See a Hollywood Album Best of Leonard Great things for movie buffs All about Leonard Dynamite movie sites Back home film movie fan
 film buff Movie Crazy
 
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